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TERM | DEFINITION | POLSKIE TŁUMACZENIE | CATEGORY |
---|---|---|---|
10-1 | the walkie-talkie code for the bathroom | kod walkie-talkie dot. potrzeby skorzystania z toalety | Production |
1st AC (First Assistant Cameraman) | keeps the camera in focus | ostrzyciel / focus puller | Production |
abby singer | named after Abner Singer, a well-known Production Manager in Hollywood’s heyday, refers to the second-to-last shot of the day. Abner always called out the penultimate shot of a setup, scene, and day | przedostatnie ujęcie dnia | Production |
action | this is the Principal Actors cue to start | akcja | Production |
aerial shot | a shot from the sky using drones or helicopters, to get dramatic high, low and sweeping angles | ujęcie wykonane podczas lotu dronem, helikopterem, itd. | Production |
apple or apple box | a wooden crate that comes in several sizes used for all sorts of purposes, from adding a few extra inches to a shorter actor to propping up a dolly track. Apple boxes are managed by the grip department | drewniane skrzynie dostępne w kilku rozmiarach, na planie używana do różnych celów, np. jako podest dla aktora albo mocowanie dla kamery. Zajmuje się nimi grip | Production |
art department | the team responsible for creating the overall look of a television show or feature film, as determined by the director | pion scenograficzny | Production |
aspect ratio | the aspect ratio of an image is the ratio of its width to its height, and is expressed with two numbers separated by a colon, such as 16:9, sixteen-to-nine. For the x:y aspect ratio, the image is x units wide and y units high. Common aspect ratios are 1.85:1 and 2.39:1 for cinema, 4:3 and 16:9 for TV and 3:2 for stills | format obrazu, proporcje obrazu, współczynnik proporcji | Production |
assistant cameramen | performs other tasks related to running the camera department, like managing the gear or working the clapper board. Works under the cinematographer or director of photography. A person in this role will recommend cameras, lenses and other support gear | asystent operatora kamery /może to być np. 1st AC = focus puller/ostrzyciel lub 2nd AC = clapper loader/asystent kamery - techniczny itd. | Production |
backlot | americanism. An open air part of the studio where sets can be constructed | duży obszar używany przez studio filmowe do budowy dekoracji, zazwyczaj mieszczący się na tyłach studio czy hali | Production |
base camp | the area at or near a shooting location from where the company operates. This is the location where the equipment of vehicles are parked, along with wardrobe, hair, makeup, crafty, and trailers for talent. | kamp, baza | Production |
best boy | the person who helps the gaffer (= the person responsible for the electrical work) when a film or television programme is being made | oświetlacz | Production |
bird's eye view | a shot from high in the sky looking down on a subject and/or their surroundings. Also called an overhead shot | ujęcie z lotu ptaka | Production |
blocking | the process of working out where to position all the cameras and lights, based on where the actors are going to be standing and moving throughout a scene | ustalenie ruchów kamery w odniesieniu do inscenizacji i ruchów danego autora | Production |
bluescreen | sometimes called greenscreen or chroma-key. Filming takes place against a blue or green background. The background can then be replaced by a different location | tło koloru niebieskiego lub zielonego (greenscreen) służące do filmowania, zastępowane następnie obrazem jakiejś lokalizacji | Production |
body cast | a cast made of part of your body or even your whole body | odlew sylwetki lub części ciała | Production |
bridging shot | a shot is a shot that indicates the passage of time between two scenes, like a montage of seasons or newspaper headlines changing | ujęcie w filmie wskazujące na upływ czasu pomiędzy dwiema scenami | Production |
call sheet | a daily report normally produced by the 2nd AD. Given to the crew so they know what is being filmed that day | zdjęciowy plan pracy | Production |
call time | the time to report to a given location | godzina, na którą nalży pojawić się na danej lokacji | Production |
casting director | a perosn responsible for casting the Actors | reżyser obsady | Production |
check the gate | checking a part of the camera to ensure no unwanted objects such as hairs have gone across the lens | polecenia sprawdzenia czy żadne niepożądane zanieczyszczenia nie dostały się na obiektyw | Production |
clapper loader | the person who loads the film into the camera | asystent kamery odpowiedzialny za ładowanie negatywu do kamery | Production |
clapper, clapboard, clacker, slate | person operating the slate in order help the editor synchronize sound and vision in postproduction | klapser | Production |
close up | type of shot where only a small part of an actor's body (typically a face) or object is visible in the frame | zbliżenie | Production |
cold brick | a dead walkie-talkie battery | rozładowana bateria walkie-talkie | Production |
confirmed booking | a firm commitment to work on a particular day | potwierdzone zlecenie pracy w konkretnym dniu | Production |
continuity | a sequence filming over more than one day, or more than shot. It is therefore essential that nothing changes to upset the continuity of the scene | kontynuacja, ciągłość akcji | Production |
continuous working day/night | a filming day or night with no meal break, a running buffet is provided while filming continues | realizacja zdjęć bez przerwy na posiłek, w trakcie filmowania zapewniony jest bufet | Production |
costume fitting | trying on a costume fitted before filming | przymiarka kostiumów | Production |
craft services | tea, coffee and water station | catering na planie | Production |
crane shot | the camera may pan up at great height. A crane is used to lift the camera into the air | ujęcie z kranu/dźwigu | Production |
creative producer | a person involved to partake in every aspect of the creative processes bringing a great story to life through film. From conception to development, funding, pre-production, filming, post-production, release and distribution | producent kreatywny | Production |
crew | a group of people who work together on set, excluding the talent (actors etc.) | ekipa filmowa | Production |
crowd assistant director | coordinates larger crowds of extras for the background of scenes, helping to organise the transport and logistics of shooting with a crowd. They may also direct members of the public or keep them off-set | koordynator ds. statystów | Production |
crowd base | the gathering area where the cast waits before being called onto set (also known as holding area) | miejsce, w którym obsada czeka przed wezwaniem na plan | Production |
cut | the cue to stop the scene | cięcie | Production |
deep focus | it refers to a technique where all elements of an image—foreground, middle ground, and background—are all in sharp focus | pełna głębia ostrości | Production |
diegetic sound | diegetic sound is any sound that emanates from the story world of the film. The source of diegetic sound doesn't necessarily need to be seen on screen, as long as the audience understands that it is coming from something within the film | dźwięk diagetyczny (dialog postaci widocznych w kadrze lub muzyka płynąca ze źródła, które jest obecne w obrazie lub którego źródło zakładamy, że jest) | Production |
DoP, DP, director of photography | also known as the DP (US), DoP (world) or cinematographer, is the person responsible for creating the look of a film. The DP controls everything that affects what the camera is able to capture (i.e. composition, exposure, lighting, filters, and camera movements). The director of photography is the head of the camera and lighting crews on set, and also selects the cameras, lenses, and filters to be used on a shoot | operator filmu, autor zdjęć | Production |
double | a person used when the actor is not available. Usually from long distance or from behind, or for a part of the body such as hands and feet | dubler | Production |
electrician/spark | a person working for the gaffer in the light department, operating lighting gear | oświetlacz | Production |
equity | a union that represents actors in the UK, US and Canada | związek zawodowy aktorów (w Wielkiej Brytanii, USA i Kanadzie) | Production |
establishing shot | a general view of any location or building | plan ogólny, plan total, ujęcie wprowadzające nową scenę | Production |
eye line | it is where actors look while acting in a scene | linia wzroku | Production |
first AD (first assistanat director) | the director's right hand, handles the logistics of running the set during production. They are the liaison between the director and the rest of the crew. They create and manage the shooting schedule and shot lists, coordinating with all department heads | II reżyser planowy | Production |
from the top | to start the scene from the beginning | rozpoczęcie sceny od początku | Production |
gaffer | the person responsible for the lights and other electrical equipment used when making a film or television programme | mistrz oświetlenia | Production |
gel | a transparent coloured material that is used in theatre, event production, photography, videography and cinematography to colour light and for colour correction | filtr foliowy barwny | Production |
generator/genny | a machine that produces electrical power | agregat | Production |
grip | a technician who handles and maintains equipment (such as cameras and their dollies and cranes) | gripowiec | Production |
hold the red | a cue that another take is about to happen | komenda komunikująca, że wkrótce nastąpi kolejne ujęcie | Production |
honey wagon | a portable outdoor toilet | toaleta samojezdna lub ciągana | Production |
hot brick | a fully charged walkie-talkie battery | w pełni naładowana bateria walkie-talkie | Production |
hot set | a film set in which furniture and props have been positioned for an imminent shoot, so labelled to prevent said items from being moved and thus compromising continuity in the finished product | plan gotowy do rozpoczęcia zdjęć, odpowiednio oznakowany na potrzeby kontynuacji | Production |
insert | a shot within a scene which calls attention to a specific piece of information, usually an inanimate object | ujęcie niewynikające zazwyczaj z akcji w danej scenie, wstawione w nią w celu przekazania informacji lub skupiania uwagi widza na szczególe, który inaczej nie byłby do wychwycenia | Production |
key grip | the person in a film crew who is in charge of additional camera equipment, such as dollies, cranes, etc. | główny gripowiec | Production |
lavalier | a lav mic or clip mic, is a small, discreet microphone attached to the performer's body to pick up sound during filming | mikrofon krawatowy (przyczepiany np. do marynarki), mikroport | Production |
location | a place where a filming happens when it's not done at a studio | lokacja / plan zdjęciowy | Production |
location department | people responsible for securing filming locations | pion osób odpowiedzialnych za znalezienie i zakontraktowanie lokacji do filmu | Production |
long shot, wide shot | camera shot that is taken at a considerable distance from the subject, usually containing a large number of background objects. Always spelled out in capital letters | plan ogólny | Production |
martini shot | last shot of the day | ostatnie ustawienie kamery w ciągu dnia | Production |
master shot | a wide shot that covers the main action throughout | długie, nieprzerwane ujęcie całej sceny | Production |
matte | it refers to the static, painted landscape in the background of a live-action scene that gives the illusion of a sprawling environment | ujęcie, którego tło może być zmienione | Production |
mid shot | a shot of the top half of the body | plan średni | Production |
mise-en-scène | the stage design and arrangement of actors in scenes for a theatre or film production, both in visual arts through storyboarding, visual theme, and cinematography, and in narrative storytelling through direction | inscenizacja | Production |
night shoot | filming through the night. No set hours but could start as early as 4pm and finish as late as 7am | zdjęcia nocne | Production |
pencilled booking | a provisional booking, yet to be confirmed | wstępna rezerwacja terminu, do potwierdzenia | Production |
pick up | a small, relatively minor shot filmed or recorded after the fact to augment footage already shot | krótkie ujęcie filmowane w celu uzupełnienia już nakręconego materiału filmowego | Production |
production designer | makes decisions regarding elements related to set design, as well as deals with the creation and/or rental of such pieces | scenograf | Production |
production office | the headquarters behind the set, usually headed by the Production Manager | biuro produkcji | Production |
prop | any object you may be given in addition to your costume that is movable, such as a sword or rifle | rekwizyt | Production |
prop(s) master (property master) | responsible for purchasing, acquiring, manufacturing, properly placing, and/or overseeing any props needed for a production | rekwizytor | Production |
prosthetic | an artificial body part, applied in the make-up dept | proteza, np. sztuczny nos, podbródek, itp. | Production |
rehearsal | a try out of a scene before filming | próba sceny | Production |
reset | moving the camera to a different position | przestawienie kamery w inne miejsce, czasem też powrót do oryginalnego ustawienia | Production |
runner or PA (Production Assistent) | can be instructed do anything at all to support the ADs and Production Office. From collecting people to and from the set to taking lunch orders or picking up faxes | dyżurny planu | Production |
rushes | the initial prints of a scene or scenes before editing, usually prepared daily | nieobrobiona kopia robocza materiału z danego dnia | Production |
second AD (second assistanat director) | creates the daily call sheets from the production schedule, in cooperation with the production coordinator. The 'second' also serves as the 'backstage manager', liaising with actors, putting cast through make-up and wardrobe, which relieves the 'first' of these duties | II reżyser biurowy | Production |
second unit | a completely separate crew, filming different scenes to the main unit, often insert or pick-up shots | druga ekipa robiąca zdjęcia do tego samego filmu, które nie wymagają udziału głównych aktorów | Production |
set | a place where filming takes place | plan zdjęciowy | Production |
shot/reverse shot or shot/countershot | a film technique where one character is shown looking at another character (often off-screen), and then the other character is shown looking back at the first character | przeciwujęcie, kontrplan | Production |
sides | the pages of the script that are being shot during that day in production | strony scenariusza na dany dzień zdjęciowy | Production |
socket, plug | where you plug-in electrical devices | gniazdko elektryczne, wtyczka | Production |
soundstage | a soundproof, large structure, building, or room with large doors and high ceilings, used for the production of theatrical film-making and television productions, usually located on a secured movie or television studio property | studio filmowe | Production |
special FX | special effects can be anything used in shot such as fire, wind, rain or snow | wizualne efekty specjalne, często komputerowe | Production |
stand by | this is a warning that filming is about to commence | być w pogotowiu | Production |
stand in | a person used in place of an actor to set up initial lighting and camera. Usually of a similar height age and skin tone to the actor | dubler (zastępujący aktora) | Production |
steadicam | a harness that allows the camera to be attached to a camera operator. This reduces or eliminates the unsteadiness of the motion by the operator | stabilizacja kamery | Production |
stunt | an exciting action, usually in a film, that is dangerous or appears dangerous and usually needs to be done by someone skilled | popis kaskaderski | Production |
stunt coordinator | usually an experienced stunt performer, hired by a TV, film or theatre director or production company for stunt casting | koordynator kaskaderów | Production |
stuntman / stuntwoman | a person who performs dangerous acts usually within the television or film production industry | kaskader, kaskaderka | Production |
swing gang | people who perform several tasks, which are not specific to other departments, like moving large furniture at a set decorator's request or setting up catering tables before lunch | dyżurni | Production |
take | filming of a particular sequence | ujęcie | Production |
third AD (third assistanat director) | coordinates the movements and direction of extras and maintains a clear channel of communication between cast and crew | asystent reżysera / II reżysera | Production |
tilt | the camera moves either up or down | płynny ruch kamery w linii pionowej | Production |
tracking shot or dolly | the camera moves smoothly forwards or backwards by running on tracks | ujęcie z wózka | Production |
unit base | this is where the production team will base itself on any given day when on location | baza produkcji w plenerze | Production |
wardrobe department | the team responsible for making, arranging, and taking care of all of the costumes and accessories that are worn by actors and extras in a television or film production | pion kostiumografa | Production |
what's your 20? | What is your location? | zapytanie o czyjąś lokalizację | Production |
wild track | a recording of atmospheric sound | nagranie dźwiękowe mające być zsynchronizowane z filmem lub wideo, ale będące zarejestrowane osobno | Production |
wrap | this indicates the end of the filming day | koniec zdjęć | Production |